I know what you're thinking: 'wow, what an unbeleivable lame title for a journal.' and you're probably right but did you ever think about the deeper meaning underneath the lame title? It says fuck it, I know I'm an awesome journal, I don't need a good title to prove it-that would just be overkill. And besides if you shouldn't judge a book by its cover then why in hell should you judge a journal by its title? No seriously, if you can think of a good deeper meaning that justifies the lame title let me know-right now I'm too sleep deprived to care. Insomnia is fun.
Anyway I'm starting this journal because I think my old one needs to be put to rest. I figure I'll start a new journal with a new outlook, or something like that.
I got back from the Del Close Marathon a couple days ago and I'm still living in a daze-more than normal. I can only dream of coming close to what great improvisers these people were. I mean Baby Wants Candy and WeirDass were just amazing. The timing in WeirDass almost seemed scripted it was so perfect. I spent a good portion of today completely trashing my room in search of my copy of Truth in Comedy. I want to reread it while the shows are still pretty fresh in my mind so I can remember specific examples of all the principles. I've also dragged out my Stanislavski book-partially because I keep meaning to read it and still haven't and partially because I'd like to see how the two books match up. I think it'll be interesting to see how the Stanislavski Method blends into the Truth in Comedy 'method.' Hopefully I'll be able to apply them to each other.
I think I'm getting tired. I'm gonna go test that out.
Anyway I'm starting this journal because I think my old one needs to be put to rest. I figure I'll start a new journal with a new outlook, or something like that.
I got back from the Del Close Marathon a couple days ago and I'm still living in a daze-more than normal. I can only dream of coming close to what great improvisers these people were. I mean Baby Wants Candy and WeirDass were just amazing. The timing in WeirDass almost seemed scripted it was so perfect. I spent a good portion of today completely trashing my room in search of my copy of Truth in Comedy. I want to reread it while the shows are still pretty fresh in my mind so I can remember specific examples of all the principles. I've also dragged out my Stanislavski book-partially because I keep meaning to read it and still haven't and partially because I'd like to see how the two books match up. I think it'll be interesting to see how the Stanislavski Method blends into the Truth in Comedy 'method.' Hopefully I'll be able to apply them to each other.
I think I'm getting tired. I'm gonna go test that out.