Hey folks,
I'm Walt. I'm new. I'm a carnivore and I'm assistant director of a sketch comedy troupe in Philly, called Comic Energy. (Shameless self-promotion). We do sketch mainly, but we also do some improv. (Not a purebred, more of a mutt). Our sketch kicks holy ass, but there's a lot that I think we could do to strenghten our improv skills. So I'm reaching out to the purebreds (read:experts) for some tips to take us from mundane to...well...less mundane I guess. We're up on the whole trust, blocking, non-negating thing (most of this carries over twixt the genres), but what we really could use; are those small details that make the difference between steak ( tough, veiny, marbled beef, thrown in a pan on high flame for 30 minutes), and STEAK! ( filet mignon medallions marinaded for 12 hours, grilled (ON CHARCOAL GADDAMMIT!!!) for 15, and topped with fried onions). I'm certain that someone here has the necessary expertise in your craft to help a novice not bring shame to the genre of improv.
I'm Walt. I'm new. I'm a carnivore and I'm assistant director of a sketch comedy troupe in Philly, called Comic Energy. (Shameless self-promotion). We do sketch mainly, but we also do some improv. (Not a purebred, more of a mutt). Our sketch kicks holy ass, but there's a lot that I think we could do to strenghten our improv skills. So I'm reaching out to the purebreds (read:experts) for some tips to take us from mundane to...well...less mundane I guess. We're up on the whole trust, blocking, non-negating thing (most of this carries over twixt the genres), but what we really could use; are those small details that make the difference between steak ( tough, veiny, marbled beef, thrown in a pan on high flame for 30 minutes), and STEAK! ( filet mignon medallions marinaded for 12 hours, grilled (ON CHARCOAL GADDAMMIT!!!) for 15, and topped with fried onions). I'm certain that someone here has the necessary expertise in your craft to help a novice not bring shame to the genre of improv.