Dreeming is free
Last night Cecil Dreeme showcased eight songs for a small gathering on Long Island. I am pleased to say that it was a smashing success.
There are always a couple of key people you can rely on to be completely straight with you after a show. Most people will shake your hand and tell you that you were great whether they thought so or not. I'm sure that as improvisers, many of the people frequenting this site have encountered the same thing. I've learned to seek out the opinions of certain people that I know I can trust to be 100% honest. It's always nice to be complimented, but it's much more beneficial to get the criticisms that most people don't feel comfortable giving.
Because I respect the people who are always honest with my in my endeavors, I have always done the same for others. If I see your team improvise and you ask me what I thought, you can rest assured that I am going to be on the level. I might not have the knowledge needed to be as critical as another improviser, but I am always honest. Other musicians that know me know that they can count on me to not be a kiss-ass. A good friend of mine invited me to see his new band play recently. I told him that if every song was as good as the last one they played, they would have been a great band. He appreciated that. It let him know that they still had work to do.
The point: Every person that I trust was impressed by our performance last night. That is a very satisfying feeling. We have worked very hard to get to this point. Now we just have to finish capturing our particular brand of voodoo on tape.
Last bit of Cecil Dreeme news: We landed a gig playing at NYU's freshman orientation on 8/25. This is a huge audience. Big opportunity there. The only problem is that it is Cara's first day of class at college in PA. So Artie is going to drive down to PA on Monday afternoon, pick up Cara after her last class, and drive right back to NY. We're going to show those baby faced college kids that our kung-fu is the best, Artie is going to drive Cara back to PA, and then he is going to turn around and come home. It will end up being ten hours driven for forty minutes played. It's actually fucking ridiculous, but we don't want to let opportunities pass us by. For a quiet band, we're hard fuckin' core.
* * *
I recently bought all five full length albums released by The Police. They have been remastered and reissued on compact disc and I am very fond of the packaging design. I considered buying the greatest hits collection but ultimately decided that I would rather own the entire set. I was excited to venture deep into their catalogue.
There is a boxed set available also, but the songs are compiled in some strange random order. I really didn't like that when I was looking at it. It's been quite interesting and fun to get acquainted with the band from start to finish. That boxed set design makes no sense to me because it doesn't put the band in any sort of context. If you listen to their records from beginning to end there is a story to be told. You can really hear the progression of the band. If you haven't experienced the band in that way, you can't really understand them. Personally, I find it amazing that the Police went from Outlandos D'Amor to Synchronicity. I happen to favor their earlier work, but it isn't about personal taste. It's about growth, in any direction. In any case, I'm pleased with my decision to get the albums individually.
I think I might like to have a cat someday. And an air hockey table.
Yeah ... a big fucking air hockey table.
Last night Cecil Dreeme showcased eight songs for a small gathering on Long Island. I am pleased to say that it was a smashing success.
There are always a couple of key people you can rely on to be completely straight with you after a show. Most people will shake your hand and tell you that you were great whether they thought so or not. I'm sure that as improvisers, many of the people frequenting this site have encountered the same thing. I've learned to seek out the opinions of certain people that I know I can trust to be 100% honest. It's always nice to be complimented, but it's much more beneficial to get the criticisms that most people don't feel comfortable giving.
Because I respect the people who are always honest with my in my endeavors, I have always done the same for others. If I see your team improvise and you ask me what I thought, you can rest assured that I am going to be on the level. I might not have the knowledge needed to be as critical as another improviser, but I am always honest. Other musicians that know me know that they can count on me to not be a kiss-ass. A good friend of mine invited me to see his new band play recently. I told him that if every song was as good as the last one they played, they would have been a great band. He appreciated that. It let him know that they still had work to do.
The point: Every person that I trust was impressed by our performance last night. That is a very satisfying feeling. We have worked very hard to get to this point. Now we just have to finish capturing our particular brand of voodoo on tape.
Last bit of Cecil Dreeme news: We landed a gig playing at NYU's freshman orientation on 8/25. This is a huge audience. Big opportunity there. The only problem is that it is Cara's first day of class at college in PA. So Artie is going to drive down to PA on Monday afternoon, pick up Cara after her last class, and drive right back to NY. We're going to show those baby faced college kids that our kung-fu is the best, Artie is going to drive Cara back to PA, and then he is going to turn around and come home. It will end up being ten hours driven for forty minutes played. It's actually fucking ridiculous, but we don't want to let opportunities pass us by. For a quiet band, we're hard fuckin' core.
* * *
I recently bought all five full length albums released by The Police. They have been remastered and reissued on compact disc and I am very fond of the packaging design. I considered buying the greatest hits collection but ultimately decided that I would rather own the entire set. I was excited to venture deep into their catalogue.
There is a boxed set available also, but the songs are compiled in some strange random order. I really didn't like that when I was looking at it. It's been quite interesting and fun to get acquainted with the band from start to finish. That boxed set design makes no sense to me because it doesn't put the band in any sort of context. If you listen to their records from beginning to end there is a story to be told. You can really hear the progression of the band. If you haven't experienced the band in that way, you can't really understand them. Personally, I find it amazing that the Police went from Outlandos D'Amor to Synchronicity. I happen to favor their earlier work, but it isn't about personal taste. It's about growth, in any direction. In any case, I'm pleased with my decision to get the albums individually.
I think I might like to have a cat someday. And an air hockey table.
Yeah ... a big fucking air hockey table.
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